Production music refers to music that is owned by production music libraries.
Typically the music is composed especially for use in Film, Radio, TV, Business as well as multimedia.
Since these libraries generally own all of the rights in the music they can licence it straight without the need to have to gain permission from composers or perhaps writers. It is able to thus be licensed immediately with a transparent cost to the end user.
The good thing about a production music library is that often it is able to cater to a wide range of musical styles and themes with a lot of libraries holding ten of thousands of tracks and cuts.
Production music gives producers and directors a platform from which to choose audio which is suitable for their project or brief. Libraries often have tracks relevant to current musical genres, culture, charts and styles. Many libraries are going to hold music across the entire spectrum of music history as well as include Classical, Jazz, Blues, Rock n Roll, Dance and Reggae – amongst a host of contemporary collections or themes created for business or media applications.
The convenience factor means that anyone who needs production library music can choose from a huge assortment of styles, access the audio from one spot and know exactly how much it’ll cost. Most libraries have Rate Cards so producers can budget for the costs of a project in advance.
Their can also be the peace of mind that many libraries will almost always have a piece of music perfect for things of course, if not will allow you to to find some. Many will even offer custom music production services.
History of Production Music
Typical music for production has been around since the days of silent cinema. In those days the audio was supplied in form that is written and sent over to small bands and orchestras who would conduct the sound living in time with the film.
Since then a lot of production music companies have established sound and audio libraries. These include Boozy & Hawkes, KPM, Sony BMG, EMI, Extreme Music, Sonoton, Cavendish, Many others and de Wolfe.
Traditionally, music libraries sent out their music collections on CD. These days it is a lot more apt to be accessed via the internet, file downloading, hard drive or CD’s, CD-Rom, DVD-Rom
Production Music Online
The Internet has enabled music for production to be distributed online via downloading. It has also provided a platform for corporations that are new and libraries to set up independently.
There are actually many production music libraries online. The price and quality is able to vary enormously as can the actual license terms or use of the music. However production music downloads now appear to be the preferred method for a lot of media professionals around the earth.
Royalty Free Music
Royalty free music varies more or less to the attributes of production music.
Production music has frequently been licensed on a pay-per-use basis. That’s you pay for every use of the music – In case you need to pick music on a television show then you license the rights for that. In the event that you want to in addition use that music on an interactive CD-Rom then you would have to license those rights.
Royalty free music on the flip side offers customers a way of getting a CD of the music which can then be used as often as you like without any further payments or perhaps fees.
However other issues and the Internet has meant that a great many royalty free music libraries now operate a lot more like traditional production music libraries and vice versa.
This’s most likely attributed to the advancement of independent music libraries who can develop their very own finance and license models according to their own marketplace requirements.
Sync Fees and Dub Fees
A fee for the licensing of their music is charged by a Production music company. This’s usually referred to a’ Synchronization Fee’ or’ Dub Fee’. This’s among the main income streams for music libraries.
Performing Rights Organisations
Performing Rights Organisations (PRO’s) protect, administer and collect performance royalties on behalf of its member composers, artists and publishers.
Performance royalties are generated when music is broadcast on Radio or TV or played in places which are public as restaurants as well as other business spaces.
Music which is publicly performed or even broadcast has to be licensed. For example a broadcaster including the SKY or BBC has to pay to broadcast music as do restaurants, shops and users of music on hold systems and others.
These licenses are issued by PRO’s to music users whenever music is broadcast to the public. soundcloud to wav from these licenses is then collected and split up between all of the members of that particular PRO.
Most countries have their own personal PRO including PRS (UK), ASCAP (USA), GEMA (Germany). Many countries have a lot more than one.
See the FULL LIST of Performing Rights Organisations
Music libraries are also music publishers. Their musical works are published via a PRO and any broadcast or public performance of that music will accrue performance royalties.